David Collins composed a Studio with the same precise judgment that he used to compose everything. He then used the Studio as a strange laboratory wherein conventional and familiar form could be broken down, particalised and meticulously re-assembled to satisfy his desire for intriguing and subtly wayward beauty. As the Studio evolved and grew so, too, did the capability to refine all of its output into a unique statement. Less a design office and more of a belief system based on overwhelming and lethal elegance.
The Studio instinct is to distill and not to dilute. The perfect colour and nothing less. An obsessive commitment to material and detail. Decisions are never made in favour of convenience. Every element of a project is passed through a stringent quality filter. A beauty which requires no thorough explanation.
